Winter is my favorite time of the year on Maui. The weather is perfect, the whales are here in full force, and it’s the busy season! With that, I’ve been filling up my calendar and keeping very busy and working with many photographers through my Maui photography workshops (Maui Photo Expeditions). This weekend I had a full day one-on-one workshop with Jim, an IT-guy from Cali. As a PhD intellectual-thinking type, initially I was concerned. Could I get all techie for 10 hours? I wondered, worriedly. Thankfully, in our first half hour he expressed how he wasn’t looking to get techie, he was looking for assistance on the creative/artistic side of things. He was looking to me to assist him in activating that other side of the brain that’s not based in thinking, but in feeling. I could have hugged him! I mean, it’s not that I couldn’t talk about the technical/craft side-of-photography endlessly with a willing comrade, but I suppose I would rather not. I find the creative/artistic/feeling-based side-of-things much more interesting, and much more important toward creating more dynamic and expressive work. With the technical aspects – you learn it well enough to get past it in order to focus your attention on what is going to make your work more personal – mindfulness, presence, space. And where these topics may at times seem esoteric, especially (I imagine) to the “PhD intellectual-thinking type’s” out there, I strongly believe that it is not the topics of f-stops, depth-of-field, pixel pitch and the like that make images dynamic, but rather the depth-of-feeling, the mindfulness and presence felt through the image that the photographer is communicating, having made the work out of that state. This is the state out of which images that can move viewers are made, and it is this that I most like to focus on personally, and pass on to others.
Eliot Porter said, “The essential quality of a photograph is the emotional impact that it carries, which is a measure of the author’s success in translating into photographic terms his own emotional response to the subject.”
In preparing some of my thoughts before the workshop, I began with a question, and with a look at what I believe to be the foundation to all good work:
Why make photographs?
If you choose to make photographs, then it seems a valid question to look at – Why make photographs?
Whether it is conscious (yet) in you or not, as photographers, we make photographs to express and to communicate. Once that is acknowledged, then look at that question – What are we wanting to express? ~and~ What are we aiming to communicate? The more you look at this, the clearer it is seen. The clearer it is seen, the more personal and expressive the work. The more personal and expressive the work, the more dynamic it naturally becomes.
As a photographer, you look at things. You not only look at the world – at the skies and the seas and the forests and the fields and the cities, you look at your self too – at your thoughts and your feelings and your emotions and your tendencies and your habits. Being a photographer is being one who mindfully looks at things. Therefore, being a photographer is as much a personal inner journey, as it is a worldly outer journey. The more one looks at this, the more compelling the work becomes, and the more rewarding the process is.
It is with this mindset that I’d say that mindfully looking at things, or simply – Mindfulness, is the primary most important aspect that we can bring to our photography.