We had our first big winter surf of the year hit the north shores of the islands and here on Maui this week, which inspired me to pack up and get out shooting. I headed first up to Honolua Bay and explored some possible compositions, while watching the many surfers position for the double-overhead waves that were consistently rolling in. After checking out a few less-than-inspiring possibilities and feeling a bit crowded with the many spectators, I decided to head south a bit – away from the larger sets that were hitting the north shores. I stopped at a nearby pullout, jumped the guard rail and headed down a steep slope to the lava rock shoreline and was immediately sparked with some possible compositions. I stood and watched as a large set came in and definitely knew I could do some work here, so I headed back up the slope to the truck to retrieve my gear. Over the course of the next hour and until the light had left me in darkness, I shot 32gb worth of images with a couple different compositions. I kept my exposure times to around 1-4 seconds in order to maintain enough clarity in these 5-8 foot faces, but while adding enough motion to create a more intense dynamic. With this type of imagery, you really have to shoot shoot shoot, which kinda goes against my style of waiting for the sweet moment and getting the shot in fewer frames. With that said, you do what you gotta do to get the shot you’re feeling at the time, and in the end, I’m happy with a couple of captures from the night – enough so that I think they may have to be part of my portfolio-in-the-works titled Boundary.
The lesson here – work with your conditions and with your feelings. It was very dynamic with these big waves crashing against the rocks and making huge splashes 25 feet into the air. You could feel the impact and were covered by sea spray. I could have made a 2-minute long exposure and created a more peaceful and meditative feeling image, but that wouldn’t have translated true to my feelings, and to the conditions presented to me. So, next time you head out to make images, don’t think about it. Quiet the mind. Explore around until you find a place that you’re responding to, on an inner/feeling level, not on a mind/thinking level, and then get in touch with your feelings and with the conditions being presented to you. Then, photograph accordingly. With this approach, your images will become stronger and more feeling-based, and you will enjoy your time in nature much more than when you’re in-the-head.