I have announced an “immersive” photo workshop that will be held in San Francisco this summer, August 10th and 11th, 2013. San Francisco is one of my favorite places to photograph, and I am excited for this unique opportunity to work with 2-3 participants during an exciting photography-filled weekend. We will focus our efforts on the Golden Gate Bridge, the Bay Bridge, dramatic cityscape images, city night images, and more. More information is HERE.
PAINTED FOREST Maui, Hawaii 2013
A number of years ago, I decided I wanted to make a successful image or two of the Rainbow Eucalyptus trees. I am aware of a few small groves of these trees here on Maui, and I had my sights on one of them in particular. These trees are extraordinary. Beautiful. Perhaps the most stunning tree on the planet! Well, no matter – one of the most stunning anyways. Really, they look as if they were hand-painted by Salvador Dali himself!
As a subject to a successful landscape photograph, this can be very easy to bugger up. How? The most common mistake would be to include too much in the scene, allowing these other elements to take away from the trees. Another aspect that I was hyper-aware of is that these trees have been photographed once or twice before. Okay, many times before. I didn’t want to just go out and do the norm, the expected. I wanted to do something special, something different. So, I waited. I resisted doing the norm and getting the standard shot to include into my portfolio, desiring something more expressive and personal.
A couple of years ago, the vision became clear in my mind’s eye. I visualized a way to capture these trees in a way that was different, personal and of-my-own-style, while bringing the viewers attention solely to the beauty of the trees. I’d shoot them at night! – while introducing my own light source. Now, with the image clearer in my mind, it was just a matter of doing the work.
On a few separate occasions, I recruited a friend to journey to the other side of the island, in the dark of night, to assist me in my attempts to bring vision to expression. On each of those occasions, I came close to my vision. Sometimes very close, making it difficult to decide whether the images were worthy of releasing into my portfolio and to the world, or if I should work harder and try again. Each time, after living with the images for some weeks, I ultimately determined that they did not live up to the vision I had. The work was not done.
My energy waned some, and nearly a year passed before I returned to give it another go, but the idea and vision stayed with me, and I trusted that it was simply a matter of time before it would happen. Early 2013, while driving home from a shoot, I get to thinking about the trees. It’s nighttime. I’m in the neighborhood. I’m feeling motivated. But, I’m alone. The thinking-mind tries to start talking me out of it: It’s totally dark. The shoot will be too tough with no assistance. What if zombies get me. And on it went. As I approached the trees, I was still 50/50 whether to stop or B-line it home: I am kinda hungry. I still have an-hour drive home. A glass of wine would be awesome right now. As the trees neared, the will to shoot won and I pulled the truck over, geared up, and headed out to shoot the trees in the dark of night.
For the next 90 minutes, I worked through the process of making the images, with a goal of making two successful photographs. From my earlier experiences, I already had a good idea of the look that I was after, and how to achieve it with my painting-with-light techniques. Nearby cows roaming about in the surrounding fields sure did sound like zombies coming to get me, but I stayed focused and remained mindful to the myriad aspects that would make this work, or not. Once I felt that I had successfully captured good strong foundations in-camera, I headed home, anxious to see if they would translate to print.
I am happy to say that they do translate well to print, and do represent my initial vision very well!
RAINBOW TREES Maui, Hawaii 2013
I often speak with my Maui photo workshop students about how to make personal-expressive work, and working through “the process”. It is important – recognize the path as a process and do the work. Allowing yourself to have a vision in your mind, and then working backwards from there is an exciting way to work! Vision to expression. Working this way, the process of making photographs is very rewarding and the path is a joyful one.
As the world of photography and image making is proliferating, so is the behavior of seeing-and-repeating. In recognizing and bringing awareness to this, continually look to create work that is more personal, more expressive, and more communicative. Pass on the obvious photographs and delve deeper. Ask continually: What am I feeling? What am I wanting to communicate? What do I want to express? It has been very exciting working with workshop students in regards to this, and bringing it to the forefront of our attention. Activating the right-brain and bringing balance to the overactive thinking-mind. It is important to remember – artwork is feeling based, and it resonates (or not) with people on a feeling level. The more you can approach the work from a personal feeling based place, the more likely you are to communicate that. The more you are able to communicate that, the more compelling your photography is bound to be.
I look forward to delving even deeper into this with workshop participants in a La Jolla photo workshop I have just announced for August!
For the past 6 months or more, I have been putting myself out there quite a lot and working with people individually in personalized photography workshops here at my home base of Maui. I’ve gotta say, after years of dealing primarily with people in relation to selling artwork, I am really enjoying working with earlier-on-the-path photographers and passing on my knowledge, thoughts, perspectives and skills. I never really pre-visualized myself as a “teacher”, but I’m diggin’ it! So much so, that I am taking my act on the road. I am excited to announce a 3-day intensive workshop for the passionate photographer in my ol’ stomping grounds of La Jolla California. I spent 4 years there shooting essentially a three mile stretch of coast, which resulted in a big turn of direction in my work, leading to more personal and expressive images – many of which became award winners. Anyways, I am stoked! I can’t wait to head back there, after over 3 years of being away, and working with a small group of 4-6 people and passing on some important skills and perspectives. If you are interested, or if you know someone who may be, you can check out the details HERE.
Someone on Google+ the other day recommended I put some slideshows on You Tube to help generate some online traffic, and the recommendation was just the push I needed, so I’ve posted a slideshow of Maui photographs. If you wanna chill out for a few minutes with some nice photographs, take a look.
As much as I’d like to be a great graphic designer, and as much as I may try to be at times, my attempts often fall short of my expectations. A year or two back, I had asked my talented-graphic-design-artist-cousin to assist me with some design work, but ended up feeling bad that she was spending all of this time working for free, and I was being a difficult client who didn’t really know what he wanted.
Recently, while working on a new avenue to my photography business – workshops, I had been having much trouble getting to a happy-place with the logo, and frustrated that I was spending so much time on it. I don’t recall what sparked a Google search, or if I was just avoiding the agony of not coming up with a cool logo, but somehow I stumbled upon 99 Designs. This is a very cool online service where you can submit a project, and sit back and watch a number of talented graphic designers compete to win your selection. With a money-back guarantee, and in my frustration of not achieving logo-success on my own, I quickly signed up and submitted my project – Maui Photo Expeditions.
Over the following week, I watched as more and more entries were submitted. It was really a very enjoyable process and with a number different designers, and therefore styles, being presented, it was easy to really hone in on what I liked, what was working and what was not. In the end, I chose this design and am quite happy with it. The designer even gave me a number of color variations, symbol options, and text variation too! Earth Photo Expeditions, for when I go global!
So, if you need some graphic design help and you don’t want to be an annoying bother to your friendly cousin, then you might want to consider these guys.
If you’re a photographer and planning a trip to Maui and want to get together for an adventure, contact me and lets discuss a photography workshop for you. You can go straight to the Maui Photo Expeditions page here.